Book One: Necessary Sins

In antebellum Charleston, a Catholic priest grapples with doubt, his family’s secret African ancestry, and his love for a slaveholder’s wife.

 

Charleston, South Carolina, 1820s. Joseph Lazare and his two sisters grow up believing their black hair and olive skin come from a Spanish grandmother—until the summer they learn she was an enslaved African. While his sisters make very different choices, Joseph struggles to transcend the flesh by becoming a celibate priest.

Then young Father Joseph meets Tessa Conley, a devout Irish immigrant who shares his passions for music and botany. In another life, Joseph and Tessa would have founded a school, covered it in climbing roses, and grown old together. Instead, Joseph must conceal his true feelings as he conceals his true heritage. His vocation forces him to watch as Tessa marries another man—a plantation owner who treats her like property.

In a world divided by race, a colored man can commit no greater sin than desiring a white woman, and the Church insists that Joseph’s priesthood and Tessa’s marriage are irreversible sacraments. Acting on their need for each other will ruin them in this world and damn them in the next.

Or will it? Joseph must choose between the truths he’s always known and the love he never expected.

Settings:
1789-1843
Saint-Domingue, French West Indies
Paris, France
Rome, Papal States
Charleston, South Carolina

 

Read the opening pages of the Necessary Sins Kindle edition here.

 

Why do my books have multiple covers? These blog posts explain:
Necessary Sins Has a New Cover!
Anatomy of a Book Cover, Part 1
Anatomy of a Book Cover, Part 2
Necessary Sins is an Audiobook!

“Necessary Sins is a rare breed of book, invoking family epics of the past such as The Thorn Birds and Gone with the Wind. The writing is poetic and…renders a vivid world that truly feels like stepping back in time. Elizabeth Bell is an amazingly talented writer who is not afraid to grapple with weighty moral and ethical issues in a way true to the time period and its characters. … Extremely highly recommended…”
Historical Novels Review (with the original cover)

“Without question the best book I have read this year. Five stars by every possible metric. I read widely across all genres, and Elizabeth Bell possesses the quality I consider most important in a truly great writer: she is fearless.”
Ramsey Hootman, Goodreads review

Also in the Series

The cover of Lost Saints by Elizabeth Bell, Book Two of The Lazare Family Saga. The cover consists of three layers front to back. The foreground is falling feathers, which are earthy tones of grey and brown and often banded with black stripes. Through these feathers, a handsome young man peers out at the reader. Although his features look White and his eyes are green, the man’s skin is tanned and he wears his dark blond hair in two braids. The background is a light brown 19th-century map.
The cover of Native Stranger by Elizabeth Bell, Book Three of The Lazare Family Saga. The cover consists of three layers front to back. The foreground is Carolina jessamine drawn in a watercolor style, lush green foliage with yellow-and-orange trumpet-shaped blossoms. Camouflaged among the jessamine is a green Monarch chrysalis and an adult orange-and-black Monarch butterfly. Through the jessamine, a beautiful young woman peers out at the reader. She has a light skin tone and amber eyes. The woman wears 1800s pearl drop earrings with her long, golden-brown hair loose down her back. The background is a musical score tinted sky blue.
The cover of Sweet Medicine by Elizabeth Bell, Book Four of The Lazare Family Saga. The cover consists of three layers front to back. The foreground is falling golden aspen leaves. Through these leaves, a handsome young man peers out at the reader. He has a medium-light skin tone and blue eyes. The man wears his curly black hair in a full, 19th-century style and has a Vandyck beard. The throat of his white shirt is open, and he wears a blue silk waistcoat over it. The background is teal with a white scrollwork frame, resembling the cover of a 19th-century book.